If you can't believe a little in what you see on the screen, it's not worth wasting your time on cinema.
The media no longer ask those who know something to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.
In an age of synthetic images and synthetic emotions, the chances of an accidental encounter with reality are remote indeed.
The personal appropriation of clichés is a condition for the spread of cultural tourism.